zanim ulegniesz propagandzie i sie zaszczepisz zwróć uwagę na fakty:
GRYPA:
1. Rocznie na zwykłą grypę umiera od 500 do 700 tyś ludzi ( z powikłaniami liczba ta dochodzi do 1 mln ) , podczas gdy na świńską grypę zmarło od początku roku około 6 tys osób, czyli ok. 140 razy mniej.
2. Mimo ze śmiertelność nie przekracza 0,5%, przebieg grypy jest stosunkowo łagodny a liczba ofiar jest 140 razy mniejsza niż na zwykła grypę ogłoszono pandemie i jest to główny temat w mediach od 7 miesięcy.
3. WHO ogłosiło 6-ty ( najwyższy ) stopień pandemi świńskiej grypy po stwierdzeniu 18 przypadków śmiertelnych.
Mimo tego, że co roku na zwykłą grypę umiera 1 milion ludzi, nigdy z tego powodu nie ogłoszono pandemi ani masowych szczepień. Ponad to tuż przed ogłoszeniem pandemi WHO obniżyło kryteria, które muszą być spełnione do jej wprowadzenia.
4. Większość ofiar grypy jest w krajach o niskim poziomie opieki medycznej lub tam gdzie dostęp do niej jest ograniczony np: USA gdzie 1/6 obywateli nie ma prawa do ubezpieczenia. 70% przypadków śmiertelnych to Ameryka Płn i Płd , a kolejne 20% to Azja – Europa to niecałe 5%. Oznacza to, ze w krajach gdzie opieka medyczna jest na dobrym poziomie grypa ma stosunkowo łagodny przebieg i nie stanowi większego zagrożenia, a u większości chorych nie jest nawet potrzebna hospitalizacja.
5. Na Ukrainie rocznie umiera na zwykła grypę i jej powikłania 6,5 tys ludzi, co daje około 20 osób dziennie, ale należy pamiętać ze 20 to średnia roczna, a teraz mamy sezon na grypę kiedy to średnia jest znacznie większa niż w pozostałym okresie. Tymczasem od tygodnia mamy potwierdzonych 14 przypadków śmierci z powodu świńskiej grypy co daje około 2 osoby dziennie.
6. Śmiertelność na Ukrainie wynosi w najgorszym razie 0,03%, ale jest to tylko czysta teoria bo na dobrą sprawę nie wiadomo ilu naprawdę jest zarażonych nową grypą. Mimo to trwa panika, a media podsycają atmosferę
7. WHO podaje ze 70% wszystkich zachorowań na grypę ( UWAGA! – NA ŚWIECIE! ) to grypa AH1N1. Oznacza to ze na Ukrainie po tygodniu epidemii powinno być juz 630 tys chorych na AH1N1 ( 900 tys zachorowań ). Tymczasem chorobę stwierdzono u kilkudziesięciu osob…
8. W Polsce rocznie na grypę choruje średnio ( w ciągu ostatnich 10 lat ) około 350 tyś osób co daje około tysiąca zachorowań dziennie. Jak dotąd od lipca stwierdzono 200 przypadków AH1N1, co daje nam zachorowalność na grypę AH1N1 w stosunku do zachorowań na zwykłą grypę w tym czasie na poziomie 0,16%. Według WHO powinno to być 70%. Trochę to odbiega od stanu faktycznego.
SZCZEPIONKI:
9. Istnieją potwierdzone informacje o niebezpiecznym składzie szczepionek ( miedzy innymi rtęć i skwalen ), oraz ich szkodliwym działaniu na ludzi a w szczególności dzieci.
10. Mimo ze przygotowanie szczepionki zajmuje kilka miesięcy, szczepionka na świńską grypę pojawiła sie już po 2 miesiącach od pojawienia sie pierwszych przypadków świńskiej grypy i praktycznie od razu po ogłoszenia pandemi. Nie ma tu również mowy o jej odpowiednich testach, które również trwają przynajmniej kilka miesięcy.
11. W Szwecji na grypę AH1N1 zmarło ja dotąd 3 osoby. Natomiast po masowych szczepieniach prawdopodobnie 4, a kolejne 20 jest w ciężkim stanie. Następne 700 ma poważne komplikacje. Mimo to WHO utrzymuje że nie stwierdzono przypadku śmiertelnego po podaniu szczepionki, a te są bezpieczne.
12. W ciągu 2-4 miesięcy, mimo jakichkolwiek podstaw do paniki wiele krajów zapowiedziało masowe szczepienia oraz zamówiło miliony nie sprawdzonych szczepionek.
13. Firmy farmaceutyczne produkujące szczepionki są oficjalnie zwalniane z odpowiedzialności za ich ewentualne niewłaściwe działanie w tym wysoką śmiertelność spowodowaną ich użyciem.
14. Firmy farmaceutyczne wymuszają na rządach krajów z którymi podpisują umowy utajnianie przed opinią publiczną, skutków ubocznych szczepionek oraz ich składu, co samo w sobie jest skandalem.
15. W wielu krajach, w tym Niemczech i Francji wybuchły skandale po tym jak sie okazało ze władze oraz wojsko miały otrzymać szczepionki o innym składzie niż zwykli obywatele. Szczepionki dla elit i służb porządkowych nie zawierały miedzy innymi rtęci i skwalenu oraz innych substancji które budzą największe obawy.
16. W większości krajów, lekarze i środowiska medyczne odmawiają szczepienia się przeciwko grypie AH1N1. W Polsce tylko 5 % lekarzy deklaruje, że sie zaszczepi, a ponad połowa kategorycznie stwierdza ze tego nie zrobi. Mimo to trwa wielka kampania nakłaniająca społeczeństwa poszczególnych krajów do szczepień. Uczestniczą w niej między innymi ONZ, WHO oraz Komisja Europejska, a także rządy poszczególnych krajów.
17. Wielu członków Rady Doradczej przy WHO ma powiązania z firmami farmaceutycznymi, natomiast Europejska Agencja Medyczna, która podjęła decyzje o zatwierdzeniu szczepionek przeciwko AH1N1 w Europie jest w 2/3 finansowana przez te firmy.
Co więcej, jedna z głównych instytucji lobbystycznych ( Europejska Grupa Badawcza ), będąca również doradcą WHO, na 3 miesiące przed pojawieniem się grypy w meksyku, zorganizowała sympozjum pod hasłem walki z pandemią. W śród sponsorów tej grupy są wszyscy trzej producenci szczepionek przeciwko grypie AH1N1.
18. Firma Baxter – jeden z głównych producentów szczepionek złożyła wniosek o opatentowanie szczepionki przeciwko AH1N1 w sierpniu 2008 czyli na pól roku przed epidemią tej grypy w marcu tego roku w Meksyku.
19. W lutym firma Baxter wysłała do Czech szczepionki na grypę sezonową. Ponieważ wydarzył się wypadek, zostały one poddane badaniom w czeskich laboratoriach. Wszystkie zwierzęta laboratoryjne którym je podano zdechły. Jak się okazało szczepionka zawierała wirus AH5N1 ( znacznie bardziej niebezpieczny od AH1N1 – śmiertelność na poziomie 60% ). Gdyby nie wypadek wirus został by zaaplikowany w Czechach jako zwykła szczepionka.
20. Wszystkich tych informacji nie usłyszysz w polskich mediach. Czy to normalne?
Jeśli uważasz ze nie to odpowiedz sobie na pytania:
1. czy jest możliwe ze w innych sprawach ( np polityka ) stosowane są podobne mechanizmy ze strony mediów i że jesteś poddawany manipulacji?
2. Ze twoje poglądy mogą być efektem manipulacji i nie oddają prawdziwej sytuacji?
3. Czy warto wierzyć mediom które w ten sposób działają?
Pozdrawiam
ps.
/jeżeli uważasz ze powyższa informacja okazała się dla ciebie przydatna przekaz ją innym
Poniżej trzy linki. Zapoznaj się z nimi dla własnego dobra.
http://tnij.org/es8f
http://tnij.org/er1a
http://tnij.org/esxd
środa, 11 listopada 2009
piątek, 9 października 2009
Planeta Małp
Orang-Utan, to zupełnie nieznana kapela z Londynu, założona w 1970 roku. W jej skład wchodzili: Terry "Nobby" Clark (wokal), Mick Clarke (gitara), Sid Fairman (gitara), Paul Roberts (bas), Jeff Seopardie (perkusja). Muzyka grupy, to hard rock z domieszką psychodelii. Polecam!
Formed in 1970, Orang-Utan recorded a very good album (released only in USA).Their LPs (8 songs) are extremely rare. "Sliping Away", "Chocolate Piano", "If You Leave' or "Magic Playground" is fantastic hard rock songs.
from: http://www.tartareandesire.com
Orang-Utan - Orang-Utan (1971)
http://sharebee.com/b3cda410
Formed in 1970, Orang-Utan recorded a very good album (released only in USA).Their LPs (8 songs) are extremely rare. "Sliping Away", "Chocolate Piano", "If You Leave' or "Magic Playground" is fantastic hard rock songs.
from: http://www.tartareandesire.com
Orang-Utan - Orang-Utan (1971)
http://sharebee.com/b3cda410
czwartek, 8 października 2009
Bob Dylan - From Newport To The Ancient, Empty Streets In L.A. (1965)
CD1
Newport, July 26, 1964:
1. All I Really Want To Do
2. To Ramona
3. Mr. Tambourine Man
4. Chimes Of Freedom
Newport, July 25, 1965:
5. Maggie's Farm
6. Like A Rolling Stone
7. Phantom Engineer
8. It's All Over Now Baby Blue
Hollywood Bowl [Acoustic]:
9. She Belongs To Me
10. To Ramona
11. Gates Of Eden
12. It's All Over Now Baby Blue
CD2
1. Desolation Row
2. Love Minus Zero
3. Mr. Tambourine Man
Hollywood Bowl [Electric]
4. Tombstone Blues
5. I Don't Believe You
6. From A Buick 6
7. Just Like Tom Thumb's Blues
8. Maggie's Farm
9. It Ain't Me Babe
10. Ballad Of A Thin Man
11. Like A Rolling Stone
12. Tombstone Blues [Bonus Alternate Studio Version]
Bob Dylan - To Ramona Video Clip [1965]
Sheffield, UK, concert on 30 April,1965.
http://sharebee.com/9b330bb9
http://sharebee.com/79057f27
czwartek, 1 października 2009
środa, 30 września 2009
Jeźdzcy country rocka
Witam! Niestety, ostatnimi czasy, nie mam zupełnie czasu na cokolwiek, ale postaram się nie dać ciała i napisać parę słów o tej świetnej kapeli. Tymczasem muszą Państwo zaspokoić się opisem w języku angielsku, no i naturalnie przesłuchać album New Riders of the Purple Sage. Pozdrawiam!
For most of the early '70s, the New Riders of the Purple Sage(yes, the name is trademark-protected) were the successful offshoots of the Grateful Dead. Although they never remotely approached the success or longevity of the Dead, they attracted a considerable audience through their association with Jerry Garcia, Phil Lesh, and Mickey Hart, whose fans couldn't be satisfied with only the Dead's releases -- the New Riders never reached much beyond that audience, but the Deadheads loved them as substitutes (along with Garcia's periodic solo projects) for the real article. Their initial sound was a kind of country-acid rock, somewhat twangier than the Dead's usual work and without the Dead's successful forays into experimental jams, but they later acquitted themselves as straight country-rockers.
Essentially, the New Riders of the Purple Sage (their name derives from an old country outfit, Foy Willing and the Riders of the Purple Sage, who in turn took the name from an old Western novel) were initially formed as a vehicle for Garcia, Lesh, and Hart to indulge their tastes for country music beyond the albums Workingman's Dead and American Beauty. Their original lineup at early performances consisted of Garcia on pedal steel, Lesh on bass, John Dawson (born 1945) on rhythm guitars and vocals, sometime Dead contributor-member David Nelson on lead guitars, mandolin, and vocals, and Mickey Hart on drums. The New Riders quickly evolved into more of a free-standing unit, with Dave Torbert succeeding Lesh, and ex-Jefferson Airplane member Spencer Dryden on the drums, succeeding Hart. They also developed an identity of their own through Dawson's songwriting, which had an appealing command of melody and beat.
The group was a little shaky as a country-rock outfit, without the strengths of soulfulness or strong in-house songwriting of, say, Poco or the Burrito Brothers, but their association with Garcia and the Dead (Lesh co-produced one album) gave them a significant leg up in terms of publicity and finding an audience. High school and college kids who'd scarcely heard of Gram Parsons or Jim Messina but owned more than one Dead album, were likely in those days to own, or have a friend who owned, at least one New Riders album. That translated into many thousands of sales of the self-titled first album, which proved an apt and pleasing companion to Workingman's Dead and American Beauty with its mix of country and psychedelic sounds. By the second album, Buddy Cage had come in on pedal steel, replacing Garcia, and their sound had firmed up, helped by the fact that Dawson and Torbert were good songwriters.
Powerglide, their second album, proved that they had what it took to stand separate from the Dead, even though Garcia and Bill Kreutzmann played on a handful of cuts. The group continued to attract a following through the early and mid-'70s, mixing country-rock and folk sounds (Buffy St. Marie was a guest vocalist on the 1974 hit album The Adventures of Panama Red) and attracting the mellower component of recreational drug users. By the end of the decade, following a label change from Columbia to MCA, it seemed as though they were running out of steam and originality, however, and the growth in popularity of punk, disco, and power pop made them seem like an anachronism, along with most other country-rock outfits of the era. Ex-Byrd Skip Battin joined in 1975, replacing Torbert; Dryden gave up playing in 1978 to assume management of the band, and by 1981, Nelson was gone.
The New Riders essentially disbanded in 1982, although the name was later picked up by a new lineup built around Gary Vogenson (guitar) and Rusty Gautier (bass). Nelson subsequently played with the Jerry Garcia Acoustic Band and assumed the de facto role of group archivist, supervising the release of unissued tapes by the band through the Relix label.
from: http://www.answers.com/
New Riders of the Purple Sage - New Riders of the Purple Sage (1971)
http://sharebee.com/fcd87fc3
For most of the early '70s, the New Riders of the Purple Sage(yes, the name is trademark-protected) were the successful offshoots of the Grateful Dead. Although they never remotely approached the success or longevity of the Dead, they attracted a considerable audience through their association with Jerry Garcia, Phil Lesh, and Mickey Hart, whose fans couldn't be satisfied with only the Dead's releases -- the New Riders never reached much beyond that audience, but the Deadheads loved them as substitutes (along with Garcia's periodic solo projects) for the real article. Their initial sound was a kind of country-acid rock, somewhat twangier than the Dead's usual work and without the Dead's successful forays into experimental jams, but they later acquitted themselves as straight country-rockers.Essentially, the New Riders of the Purple Sage (their name derives from an old country outfit, Foy Willing and the Riders of the Purple Sage, who in turn took the name from an old Western novel) were initially formed as a vehicle for Garcia, Lesh, and Hart to indulge their tastes for country music beyond the albums Workingman's Dead and American Beauty. Their original lineup at early performances consisted of Garcia on pedal steel, Lesh on bass, John Dawson (born 1945) on rhythm guitars and vocals, sometime Dead contributor-member David Nelson on lead guitars, mandolin, and vocals, and Mickey Hart on drums. The New Riders quickly evolved into more of a free-standing unit, with Dave Torbert succeeding Lesh, and ex-Jefferson Airplane member Spencer Dryden on the drums, succeeding Hart. They also developed an identity of their own through Dawson's songwriting, which had an appealing command of melody and beat.
The group was a little shaky as a country-rock outfit, without the strengths of soulfulness or strong in-house songwriting of, say, Poco or the Burrito Brothers, but their association with Garcia and the Dead (Lesh co-produced one album) gave them a significant leg up in terms of publicity and finding an audience. High school and college kids who'd scarcely heard of Gram Parsons or Jim Messina but owned more than one Dead album, were likely in those days to own, or have a friend who owned, at least one New Riders album. That translated into many thousands of sales of the self-titled first album, which proved an apt and pleasing companion to Workingman's Dead and American Beauty with its mix of country and psychedelic sounds. By the second album, Buddy Cage had come in on pedal steel, replacing Garcia, and their sound had firmed up, helped by the fact that Dawson and Torbert were good songwriters. Powerglide, their second album, proved that they had what it took to stand separate from the Dead, even though Garcia and Bill Kreutzmann played on a handful of cuts. The group continued to attract a following through the early and mid-'70s, mixing country-rock and folk sounds (Buffy St. Marie was a guest vocalist on the 1974 hit album The Adventures of Panama Red) and attracting the mellower component of recreational drug users. By the end of the decade, following a label change from Columbia to MCA, it seemed as though they were running out of steam and originality, however, and the growth in popularity of punk, disco, and power pop made them seem like an anachronism, along with most other country-rock outfits of the era. Ex-Byrd Skip Battin joined in 1975, replacing Torbert; Dryden gave up playing in 1978 to assume management of the band, and by 1981, Nelson was gone.
The New Riders essentially disbanded in 1982, although the name was later picked up by a new lineup built around Gary Vogenson (guitar) and Rusty Gautier (bass). Nelson subsequently played with the Jerry Garcia Acoustic Band and assumed the de facto role of group archivist, supervising the release of unissued tapes by the band through the Relix label.
from: http://www.answers.com/
New Riders of the Purple Sage - New Riders of the Purple Sage (1971)
http://sharebee.com/fcd87fc3
Krywaniu!
Skaldowie came into existence in the summer of 1965. Officially, the band made their debut on a contest called II Krakowska Giełda Piosenki in October of the same year. They won that year's contest as well as the next two. From this time on a series of successes began for the band. They won some major contests in Poland (in Opole, Gdansk),and participated in two films.
In 1967 they released their first, self-titled LP. In the same year they appeared on TV, and finally their lineup was established as follows: Andrzej Zielinski ( org, pno, voc ), his younger brother Jacek Zielinski ( voc, tp, viol ), Jan Budziaszek ( dr ), Jerzy Tarsinski ( g ), and Konrad Ratynski ( bg, voc ). The next year the band began with participating in another film, and in March they recorded their second album, "Wszystko mi mówi,że mnie ktos pokochał". Then they left for their first tour outside Poland, in the USSR.
In 1969 they released "Cała jestes w skowronkach". Almost all the songs from this album became hits. In August and September of that same year Skaldowie toured in the USA and Canada. They came back with Hammond organs, and in January 1970 they began recording a very good album, "Od wschodu do zachodu słonca", their first album with a proggy feel, or so I believe. Three months later they recorded their next abum, "Ty". In 1971 and 1972 the band toured the UK and both parts of Germany (they were also in Munich during the 20th Summer Olympic Games), then recorded their next two albums: mainstream, successful "Wszystkim zakochanym" and their first truly prog album, worshipped by Polish prog fans,"Krywan, Krywan". It contains a nearly 18 minutes long suite, "Krywaniu, Krywaniu", in which they blended all their current inspirations: from Polish highlander folk music to forms taken from classical music and even citations from the works of such composers as Bach,Mussorgski, Borodin and Rossini.
In 1976 Skaldowie recorded another pair of albums, "Szanujmy wspomnienia" and "Stworzenia swiata czesc druga", the latter in the vein of "Krywan, Krywan" - also containing an even longer suite. Unfortunately, after that one Skaldowie didn't record any more prog albums.
The next albums from the band were "Rezerwat miłosci" (1979) and "Droga ludzi" (1980). The latter was recorded on the occasion of the 1980 Olympic Games in Moscow; that's why they went on a tour of the USSR. After coming back to Poland the band started recording a double LP, "Zostaw to młodszym", which would never be released (some of the songs from
this album would be released later in 1996 on a compilation CD entitled "Podróż magiczna" ).
At the end of the year Skaldowie went to tour in the USA. When in Poland martial law
was enforced in December, Andrzej Zielinski decided to stay in the States, while the other members of the band succesively come back to Poland. The band disbanded soon afterwards.
In 1987 Jacek Zielinski resurrected the band, though without Andrzej Zielinski and Jan Budziaszek, and in 1989 they released "Nie domykajmy drzwi". However, in 2004 they toured with their classic lineup again, and in May 2006 they also released a new album, "Harmonia swiata".
From: http://www.progarchives.com/
Skaldowie - Krywań, Krywań (1973)
1. Krywaniu, Krywaniu
2. Juhas zmarł
3. Jeszcze kocham
4. Gdzie mam ciebie szukać
5. Fioletowa dama
http://sharebee.com/1ceca5b1
In 1967 they released their first, self-titled LP. In the same year they appeared on TV, and finally their lineup was established as follows: Andrzej Zielinski ( org, pno, voc ), his younger brother Jacek Zielinski ( voc, tp, viol ), Jan Budziaszek ( dr ), Jerzy Tarsinski ( g ), and Konrad Ratynski ( bg, voc ). The next year the band began with participating in another film, and in March they recorded their second album, "Wszystko mi mówi,że mnie ktos pokochał". Then they left for their first tour outside Poland, in the USSR.
In 1969 they released "Cała jestes w skowronkach". Almost all the songs from this album became hits. In August and September of that same year Skaldowie toured in the USA and Canada. They came back with Hammond organs, and in January 1970 they began recording a very good album, "Od wschodu do zachodu słonca", their first album with a proggy feel, or so I believe. Three months later they recorded their next abum, "Ty". In 1971 and 1972 the band toured the UK and both parts of Germany (they were also in Munich during the 20th Summer Olympic Games), then recorded their next two albums: mainstream, successful "Wszystkim zakochanym" and their first truly prog album, worshipped by Polish prog fans,"Krywan, Krywan". It contains a nearly 18 minutes long suite, "Krywaniu, Krywaniu", in which they blended all their current inspirations: from Polish highlander folk music to forms taken from classical music and even citations from the works of such composers as Bach,Mussorgski, Borodin and Rossini.
In 1976 Skaldowie recorded another pair of albums, "Szanujmy wspomnienia" and "Stworzenia swiata czesc druga", the latter in the vein of "Krywan, Krywan" - also containing an even longer suite. Unfortunately, after that one Skaldowie didn't record any more prog albums.The next albums from the band were "Rezerwat miłosci" (1979) and "Droga ludzi" (1980). The latter was recorded on the occasion of the 1980 Olympic Games in Moscow; that's why they went on a tour of the USSR. After coming back to Poland the band started recording a double LP, "Zostaw to młodszym", which would never be released (some of the songs from
this album would be released later in 1996 on a compilation CD entitled "Podróż magiczna" ).
At the end of the year Skaldowie went to tour in the USA. When in Poland martial law
was enforced in December, Andrzej Zielinski decided to stay in the States, while the other members of the band succesively come back to Poland. The band disbanded soon afterwards.
In 1987 Jacek Zielinski resurrected the band, though without Andrzej Zielinski and Jan Budziaszek, and in 1989 they released "Nie domykajmy drzwi". However, in 2004 they toured with their classic lineup again, and in May 2006 they also released a new album, "Harmonia swiata".
From: http://www.progarchives.com/
Skaldowie - Krywań, Krywań (1973)
1. Krywaniu, Krywaniu
2. Juhas zmarł
3. Jeszcze kocham
4. Gdzie mam ciebie szukać
5. Fioletowa dama
http://sharebee.com/1ceca5b1
wtorek, 22 września 2009
Tim Rose - Love: A Kind of Hate Story (1970)
1. I've Gotta Get a Message to You
2. Dimlight
3. Where Do You Go to (My Lovely)
4. You Can't Stop Yourself
5. Sad Song
6. Georgia by Morning
7. Ode to an Old Ball
8. Sympathy
9. I Know These Two People
10. Jamie Sue
http://sharebee.com/b14bab14
Tim Rose - Through Rose Colored Glasses (1969)
1. Days Back When
2. Roanoke
3. Hello Sunshine
4. When I Was a Young Man
5. What'cha Gonna Do
6. Maman
7. Let There Be Love
8. Baby Do You Turn Me On?
9. Apple Truck Swamper
10. Angela
11. You'd Laugh
12. You Ain't My Girl No More
http://sharebee.com/4aff8d42
poniedziałek, 14 września 2009
Country Joe & the Fish - Live! Filmore West 1969
01.Introduction/Rock And Soul Music/Love
02.Here I Go Again
03.It's So Nice To Have Your Love
04.Flying High
05.Doctor Of Electricity
06.Donovan's Reef Jam
http://sharebee.com/db164d4e
sobota, 5 września 2009
Janis Joplin & Jorma Kaukonen - the Typewriter tape (1964.25.06)
Janis and Jorma
1. Trouble In Mind
2. Long Black Train
3. Kansas City Blues (False Start)
4. Kansas City Blues
5. Hesitation Blues
6. (Strumming)
7. Nobody Knows When You're Down
8. Daddy, Daddy, Daddy
http://sharebee.com/d6633af2
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